Apichatpong weerasethakul biography channel
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apichatpong weerasethakul
1970, Bangkok, Thailand
Working in the space between cinema and contemporary art, Apichatpong Weerasethakul creates installations, videos, short and feature films that are often non-linear and transmit a strong sense of dislocation and otherworldliness. Through the manipulation of time and light, Weerasethakul constructs tenuous bridges for the viewer to travel between the real and the mythical, the individual and the collective, the corporeal and the chimeric. Over the years, the majority of his projects have involved many of the same actors, which has allowed him to capture different phases in their lives and their experience of ageing. Frequently set in rural Thai villages and forests, his films traverse an extremely personal territory, inviting the viewer to enter the subjective world of memory, myth, and deep yearning. By using unconventional narrative structures, expanding and contracting the sensation of time, and playing with ideas of veracity and linearity: Weerasethakul’s work sits comfortably in a world of his own making.
In 1994, Weerasethakul earned his BA in architecture from Khon Kaen University in Thailand. In 1998, he received his MFA in Filmmaking from the School of the Art Institute of Chicago, as well as an Honorar
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By Cristal Nayman • 6 min
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Apichatpong Weerasethakul
Thai film director (born 1970)
Apichatpong Weerasethakul[a] (Thai: อภิชาติพงศ์ วีระเศรษฐกุล; RTGS: Aphichatphong Wirasetthakun; IPA:[ʔà.pʰí.tɕʰâːt.pʰōŋwīː.rá.sèːt.tʰà.kūn],[2] born 16 July 1970) is a Thai independent film director, screenwriter, film producer and Professor at Tama Art University in Tokyo. Working outside the strict confines of the Thai film studio system, Apichatpong has directed several features and dozens of short films. Friends and fans sometimes refer to him as "Joe" (a nickname that he, like many with similarly long Thai names, has adopted out of convenience).[3]
His feature films include Uncle Boonmee Who Can Recall His Past Lives, winner of the 2010 Cannes Film FestivalPalme d'Or; Tropical Malady, which won the Jury Prize at the 2004 Cannes Film Festival; Blissfully Yours, which won the top prize in the Un Certain Regard program at the 2002 Cannes Film Festival;[4]Syndromes and a Century, which premiered at the 63rd Venice International Film Festival and was the first Thai film to be entered in competition there; and Cemetery of Splendour, which premiered in the Un Certain Regard section of the 2015 Cannes Film Festival to critical acclaim.[5&#