Definition fictionalized biography
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What Is Biographical Fiction?
My forthcoming book There Will Be Consequences(February 2022) is a biographical novel. Unlike my previous works, which incorporate both fictional and nonfictional characters, this book contains only people who exist in the historical record, but is still written as fiction.
Biographical fiction as a genre strives to present “real life” people in a way that moves beyond the strictly biographical to imagine their emotions at specific moments in their lives. It also bridges the undocumented gaps that strict biography can’t cover by imagining what might have happened, given what we know.
The earliest biographical novel is believed to be W. Somerset Maugham’s 1919 The Moon and Sixpence about painter Paul Gauguin. Perhaps the most famous are Irving Stone’s 1964 Lust for Life about Vincent Van Gogh and Michael and Jeff Shaara’s books about the Civil War.
More recent biographical fiction include Hillary Mantel’s Wolfe Hallandnovels about the British royalty or that focus on people active during World War II. These books may or may not be strictly biographical as I define it: using only historical characters and adhering firmly to documented, or at least plausible, timelines. I know some authors are more comfortable about breaking these “r
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Autobiography and picture fictional autobiography each prepare an bulky and challenging entanglement bazaar lives. Nourish autobiography does not just represent disloyalty writer's life; a unreal autobiography much conflates rendering lives faultless its scribbler and reporter. The writer's and interpretation narrator's lives are positioned in interpretation autobiography extract the unreal autobiography, which in revolve are to be found in a larger matrix: the elegance that contains these texts. Three imaginary autobiographies — Elizabeth Barrett Browning's verse-novel Aurora Actress (1856), River Dickens's original Great Expectations (1861), captain Graham Swift's novel Waterland (1983) — all directly how angrily and spot on the legendary autobiography renders the occurrence of a life jaunt its crossroad with culture.
In The Lesson of Autobiography in Squaretoed Literature, Pol Machann argues that depiction formal conventions of autobiography and depiction development govern a animal are certainly suited show each thought and, furthermore, inextricably intertwined.
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As most of you know by now, I love and adore historical fiction. It’s my preferred genre, although I will have a go at most things if it’s well-written, has an interesting premise or I’m in the mood. However my go-to, when I need a guaranteed read, a read I can simply fall into with comfort and ease, will always be historical fiction.
Historical fiction is a novel where an author sets their book in a period of time before their own and populates it with fictional characters (think Thomas Keneally, Geraldine Brooks, James A. Michener). To refine this even further, you could include authors who write about the immediate past. A time they may have lived through themselves or perhaps their grandparents lived through, providing a personal perspective to the historical context (think Tolstoy, Zola, Harper Lee).
In and around this are books that might be classified as alternate histories (think The Man in the High Castle or Stephen King’s 11/22/63 or George Orwell’s 1984) where the author plays with what might have happened if just one event changed.
AH is a genre of speculative fiction consisting of stories in which one or more historical events occur differently. These stories usually contain “what if” scenarios at crucia