Giorgio vasari biography
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Giorgio Vasari
Italian painter, architect, writer, and historian (–)
"Vasari" redirects here. For the Italian surname, see Vasari (surname).
Giorgio Vasari[a] (30 July – 27 June ) was an Italian Renaissance painter, architect, art historian, and biographer who is best known for his work Lives of the Most Excellent Painters, Sculptors, and Architects, considered the ideological foundation of Western art-historical writing, and still much cited in modern biographies of the many Italian Renaissance artists he covers, including Leonardo da Vinci and Michelangelo, although he is now regarded as including many factual errors, especially when covering artists from before he was born.
Vasari was a Mannerist painter who was highly regarded both as a painter and architect in his day but rather less so in later centuries. He was effectively what would now be called the minister of culture to the Medici court in Florence, and the Lives promoted, with enduring success, the idea of Florentine superiority in the visual arts.
Vasari designed the Tomb of Michelangelo, his hero, in the Basilica of Santa Croce, Florence, that was completed in Based on Vasari's text in print about Giotto's new manner of painting as a rinascita (rebirth), author Jules Michelet, in his
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The first footsteps of Vasari’s book was published ploy in Town. It was contained biographies of artists - be bereaved the Protorenaissance famous master Giovanni Cimabue to rendering Vasari’s schoolteacher Michelangelo Buonarroti
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Biography
Italian painter, architect and biographer, one of Italy's busiest and most influential Mannerist artists. Born in the Florentine subject city of Arezzo, Giorgio was the child of a potter, and precocious enough for Cardinal Silvio Passerini, guardian of the young Ippolito and Alessandro de' Medici, to sponsor his education alongside them in Florence - presumably to act as a provincial spur to their overprivileged laggardliness. Thus began a connection with the Medici that lasted until the death of the steadiest patron of his work as a painter, architect and decorator-of-all-work, the Grand Duke Cosimo I. Thanks to a steady succession of Medicean and papal commissions (interspersed with others from individuals and religious bodies), Vasari produced an immense volume of artistic work, helped by a natural fluency and by teams of capable assistants: both were factors in his contemporary fame as an artist and his subsequent neglect - until quite recently. He was trained in Florence, in the circle of Andrea del Sarto and his pupils Rosso and Pontormo, where, above all, he became a Michelangelo idolater.
As a painter his quality can be gauged by the posthumous portrait of Lorenzo the Magnificent, the altarpiece of the Immaculate Conception in SS. Apostoli, the decorativ