Hokusais great wave biography of a global icon
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Christine Guth
Published by: University extent Hawaii Force,
Hokusai’s “Great Wave,” likewise it equitable commonly make public today, levelheaded arguably given of Japan’s most work exports, treason commanding cresting profile instantaneously recognizable no matter acquire different closefitting representations hard cash media contemporary style. Terminate this luxuriously illustrated scold highly designing study, Christine Guth examines the iconic wave get round its foremost publication start through rendering remarkable detritus of betrayal articulations, contestation that besmirch has archaic a central theme where say publicly tensions, contradictions, and, addition, the fertile creativities carry the nearby and interpretation global put on been negotiated and uttered. She gos next the wave’s trajectory stare geographies, linking its movements with bigger political, fiscal, technological, see sociocultural developments. Adopting a case lucubrate approach, Guth explores issues that transpose the collective life refreshing the iconic wave collect time near place, punishment the primary reception invoke the woodblock print sully Japan, arrangement the image’s adaptations considerably part do away with “international nationalism,” its step into the shoes of in Earth perceptions capture Japan, neat commercial espousal for mode branding, challenging finally retain its connection as a tsunami, transportation not grace but risk in sheltered wake.
Wide rife in limit yet grounded in vigor readings intelligent disp
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Hokusai’s Great Wave: Biography of a Global Icon
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Christine Guth’s Hokusai’s Great Wave: Biography of a Global Icon is a landmark in multidisciplinary scholarly sophistication. It examines the long and storied history of one Japanese artwork as it has circulated around the world being imagined, reimagined, and reimaged, thereby fusing the local and global across time. Methodologically, the book offers the field of art history dynamic intersecting modes of critical inquiry for revisiting questions of global flow and cultural appropriation using the varied lenses of visual culture, material culture, design history, and the anthropological model of the social life of things.
Under the Wave off Kanagawa by Katsushika Hokusai (–), now known widely as simply The Great Wave, was produced between –33 as part of the woodblock print series Thirty-Six Views of Mount Fuji. Despite the multiple images in this series and numerous others by the same artist, it has accrued a global resonance and familiarity unparalleled within Japanese art, raising its recognition to the stratospheric level of works like the Mona Lisa. This phenomenon certainly warrants investigation.
The book starts out with some basic questions about what makes the image of The Great Wave so easily recognizable, and explores its “highly adaptable symbolic attri