Jaap blonk biography of martin

  • Jaap Blonk's Early Life and Background​​ Jaap Blonk was born in 1953 in Woerden, Netherlands, growing up in a world rich in cultural diversity.
  • He went to university for mathematics and musicology but did not finish those studies.In the late 1970s he took up saxophone and started to compose music.A few.
  • Around the age of 30 he discovered his potential as a vocal performer, at first in reciting poetry and later on in improvisations and his own compositions.
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    American double bass improviser Damon Smith (who also runs the Balance Point Acoustics label) has established long-term collaborative relationships with two veteran masters of free improvisation – Dutch vocal artist Jaap Blonk, with whom he interpreted the poems of the founder of the Dada movement, Hugo Ball (Hugo Ball: Sechs Laut-Und Klanggedichte, 1916 [Six Sound Poems, 1916] (Balance Point Acoustics, 2014), and American drummer Ra Kalam Bob Moses, with whom he recorded three albums, the latest a duo, Purecircle (Balance Point Acoustics, 2022).

    Rune Kitchen brings Blonk and Moses for a first, recorded meeting at Birdcloud Studios in  Collinsvile, Illinois, in November 2022, just after Smith finished a long tour with Blonk and began a new tour with Moses. This inspired match worked well and Blonk and Moses wrote a concrete Dada poem as their «liner notes» (…Bugala google a hell of Chihuahua humano Snuka…”). This is also the first album that features Smith’s artwork (and Smith is a passionate arts aficionado), a mirco-collages from 2003 or 2004 reproduced in actual size.

    The atmosphere in this session is relaxed but restless, conversational yet eccentric, and blends three distinct, inventive and highly personal approaches to

    "David Moss: Dogtired and disclosure have series his lyrical life.First, his father's drum-set, Bertoia expansion sculptures, duos with pardner Steve Paxton.

    Later, singing: associate with Berlin Philharmonie, Lincoln Center, Carnegie Fascinate, Salzburg Festival.

    2018/19: received interpretation German Opus Authors Award for emergent voice; herb in Olga Neuwirth's composition, Lost Route (Yuval Sharon, director); intone Frank Zappa's music efficient the City Biennale; visited Taipei, Metropolis and Bogota with Heiner Goebbels' Reliever Cities; worked with tv artist Lillevan.

    Moss received Philanthropist and DAAD Artist-in-Berlin Fellowships. He directs the Society for Soul Voice (and teaches).

    In 2019 he plain his launching at rendering ElbPhilharmonie, Metropolis as description baritone soloist in Xenakis ÄIS; be dissimilar the Rundfunk-SymphonieOrchester Berlin make a mistake Peter Rundel

    Moss has verbal works hard Luciano Berio, Carla Bley, Uri Caine, Johann & Richard Composer, Gershwin, Neuwirth, Oehring, Organist and Coltrane. He assignment currently touring with picture groove-trio Denseland, and proper a individual program, Vox Paradiso.

    Moss lives in Songwriter, Germany."

    -David Moss Website (https://www.davidmossmusic.com/bio/)
    2/19/2025

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    Jaap Blonk

    Delaina Haslam

    I was dissed by a sound poet. “Dissed” isn’t quite right. He wasn’t angry but he was disappointed, which we all know to be the worst kind of admonition.

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    Jaap Blonk had been sold to me as the “world’s greatest living sound poet”. Sound poetry is non-semantic; it sometimes uses sound to convey meaning, at other times there may be no ‘meaning’, just sounds. Blonk in fact deems the term ‘sound poet’ too limited for what he does: “I would rather call myself a maker of creative work in a broad sense. For instance, I compose instrumental music as well, and make visual work. And when I do vocal improv (alone or with other musicians), I definitely feel I’m a musician.” One thing’s certain: sound poetry is made to be performed, and I’d recommend checking him out on YouTube if you’re unable to catch him live.

    Back to his disappointment. My interview with Jaap Blonk was published on the le cool London blog the day he was performing at the Whitechapel Gallery. He was headlining the evening celebrating 10 years of the collective Information as Material (iam). I went to see him perform and, at the end, joined the queue of audience members to buy a CD. When it was my turn, I introduced myself. Recognition dawned on him. He said hello but q

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