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Raging bull nytimes article
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(Originally published by the Daily News on November 14, 1980. This story was written by Kathleen Carroll.)
He was known as the Bronx Bull because of his tendency to bore in on his opponents from a crouching position. One thing Jake La Motta was always proud of – he may have taken a fall in his losing 1947 bout with Billy Fox when it finally became clear to him that he would never have a shot at the middleweight title unless he proved his willingness to cooperate with the mob – but no one, not even his strongest rival, Sugar Ray Robinson, ever knocked La Motta off his feet. It took a featherweight-sized filmmaker named Martin Scorsese to score a knockout punch against La Motta with such a merciless portrait of the barrel-chested boxer he comes across as one of the most repugnant characters in the history of movies.
La Motta served as a technical consultant on Scorsese’s “Raging Bull,” which is based on his autobiography, but one would think he would be disturbed by this all-out assault on his character. The movie, filmed mostly in black and white, which gives it a ’30s look, totally ignores his reform school background, offering no explanations as to his anti-social behavior. Scorsese, in fact, seems deliberately to resist any opportunity
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Raging Bull
1980 film directed by Martin Scorsese
This article is about the 1980 film. For other uses, see Raging Bull (disambiguation).
Raging Bull is a 1980 American biographicalsportsdrama film directed by Martin Scorsese and starring Robert De Niro, Joe Pesci, Cathy Moriarty, Theresa Saldana, Frank Vincent, and Nicholas Colasanto in his final film role. The film is an adaptation of former middleweight boxing champion Jake LaMotta's 1970 memoir Raging Bull: My Story. It follows the career of LaMotta, played by De Niro, his rise and fall in the boxing scene, and his turbulent personal life beset by rage and jealousy.
Scorsese was initially reluctant to develop the project, though he eventually came to relate to LaMotta's story. Paul Schrader re-wrote Mardik Martin's first screenplay, and Scorsese and De Niro together made uncredited contributions thereafter. Pesci was an unknown actor prior to the film, as was Moriarty, whom Pesci suggested for her role. During principal photography, each of the boxing scenes was choreographed for a specific visual style and De Niro gained approximately 60 pounds (27 kg) to portray LaMotta in his later post-boxing years. Scorsese was exacting in the process of editing and mixing the film, expecting it to be his last major f