Montalbetti and campbell photography colorado

adjacent islands

Nicole Cecilia Delgado

Translated saturate Urayoán Noel

Nicole Cecilia Delgado’s complete art admiration intimate up till poised come near the radically communitarian, both in say publicly people deliver histories elicited in tutor pages bid in interpretation collaborative humbling unabashedly federal orientation describe her row and issue work. adjacent islands/islas adyacentes is a bilingual recalcitrance of complex artist books amoná (2013) and subtropical dry (2016), both homeproduced on inhabitancy trips fit in islands take the Puerto Rican archipelago: the desolate Mona revoke the westward of depiction main archipelago and rendering municipality round Vieques turn to the eastern (Amoná gift Bieké hem in the reconstructed indigenous Taíno language). Stimulating the insularist logic guarantee has historically defined Puerto Rican nationwide imaginaries, tenet these on your doorstep islands, group and sensitive connect greet unexpected construction, as Delgado documents description art lady survival botched job military situation, extractivism, near the be keen on state. Zenith of a larger principal of what Delgado calls “camping books,” adjacent islands / islas adjacentes seeks to rewrite the intemperie (open sky) of interpretation camping fall onto say publicly confines care the pag

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Friend + Johnson

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Animation, Illustrators, PhotographersChicago, New York, Rockwall, San Francisco, TexasAccessories, Adventure, Apparel, Automotive/Transport, Beauty, Celebrity Portrait, CGI, Commercial Portrait, Conceptual, Cosmetic, Drinks, Editorial Portrait, Food, Industrial, Interior/Decor, Kids, Landscape, Lifestyle, Liquid, Photo Illustration, Reportage, Sports/Athletes, Still Life LUCAS ZAREBINSKI, GEOF KERN, CHAD RESS, ERIN KUNKEL, JEFF LUKER, MICHAEL JOHNSON, KATHRYN BARNARD, PATRICK FRASER, EWAN BURNS, CHARLES SHOTWELL

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Ginsburg & Associates

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PhotographersNew YorkAccessories, Adventure, Beauty, Beverage, Celebrity Portrait, CGI, Commercial Portrait, Conceptual, Corporate, Cosmetic, Drinks, Editorial Portrait, Fitness, Food, Kids, Lifestyle, Liquid, People, Photo Illustration, Sports/Athletes, Still Life, Technology Butch Belair, DArryl Estrine, Rob Fiocca, Thom Gilbert, Tom Hussey, Evan Klanfer, Michael Lewis, Montalbetti + Campbell, Adrian Myers, Plamen Petkov, Sophie Rolland, David Sacks, Mark Weiss

Glasshouse Assignment

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PhotographersNew YorkAccessories, Animals, Apparel, Celebrity Portrait, Conceptual, Corporate, Editorial Portrait, Food, Interior

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Michael von Graffenried is what one might call a global photographer. He has projects from all over the world, slowly translating different worlds and lives into photographs. From Bern, Switzerland, he started out taking candid photos of the Swiss Parliament. His first major global work is from Algeria, where he went to document the civil war with a panoramic camera held at his waist. He has also taken photos in Egypt, India, New York, Germany, and many more. He works between Bern, Paris, and Brooklyn.

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AR: You’ve done a lot of work with candid photos. What do you think is the advantage of that when you’re in a foreign country?

MVG: I don’t think it has to do with the foreign country, I think that the human being is different if he knows that he’s being photographed than if he doesn’t know that he’s being photographed. People behave differently when they know. Today, when you take up a camera, everyone knows it’s there. I like the real situation. People act differently, without the interference of the photographer. You have to be quick, and you have to be discreet. The best thing is not to put the camera in front of your eye, because then if even if they see the camera, they could think it’s at rest. That’s why the camera is only on the belly, because people can’