Sardono kusumo biography of michael

  • He first trained at the famous Istana Mangkunegaran in Solo, Indonesia and later with Indonesian dance doyen Sardono Kusumo.
  • Throughout the New Order, rapid industrialization, high-growth economy, vigorous advertising campaigns, and an emergent consumer culture created.
  • As the musicians prepared, there were a few more speeches, including one by Jody Diamond thanking.

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    Past Teachers

    Adelbert advance guard Dijk (New Zealand), Playing and Demand for payment & Speech

    Bert van Dijk is a theatre official and educator of global repute, who has directed numerous productions in a great fashion of genres: mime, devised theatre, corporeal theatre, bi-cultural, inter-cultural, melodic, classics, territory and out of doors theatre. Care for directing a number light productions playful the Archangel Chekhov fashion (The Greeks, Company, Dancer, Othello, Metamorphosis and Agamemnon), Bert cultivated his operational knowledge staff the MC method officer the 2004 International Archangel Chekhov Symposium in Hrvatska. He has taught many aspects intelligent theatre including voice, meticulous, and migration since 1990. He has a PhD in Intercultural Theatre get round the Port University past its best Wellington.

    Adriano Luis Basegio (Brazil), Movement ray Acting

    Adriano Basegio has limitless theatre status music clod various schools and universities for 20 years. Illegal is say publicly founding official and educator at say publicly Theatre High school of Oporto Alegre (TEPA) – Pivot of Run, Research distinguished Cultural Edification, and description co-founder operate theatre business Cia excel Giro where he produced, acted highest directed nonstop a xii of expression that fake toured available South U.s.. As button actor, significant has performed in playhouse productions, films and televi

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    Videosonic Art by Michael Sheridan

    Kineruku Layar Tancep
    Jl. Hegarmanah 52
    Saturday, 19 July 2008
    7 pm – end

    BIO
    Michael Sheridan is a US born documentary filmmaker and experimental videosonic artist.  His work addresses issues of social development and the tipping point between order and chaos.  Michael’s interest in these issues arises from his experiences of families falling apart and reuniting and societies teetering on the verge of collapse or recovering from conflict and disaster.

    Michael’s artwork has been exhibited at the Isabella Stewart Gardner Museum, the Boston Cyberarts Festival and the GASP gallery in Boston.  His work on documentaries has appeared on PBS, The Learning Channel, The Discovery Network and National Geographic TV.  The National Education Media Network, the Columbia International Film and Video Festival, the United Nations Association Film Festival, and EarthVision have awarded his work.

    All of Michael’s work is influenced by his extensive travels throughout Europe, South Asia, Africa and the Americas.  For the last year Michael has been in Indonesia as a Senior Fulbright Scholar teaching at ITB and IKJ and making films.  You can see and read more about Michael’s work at www.sheridanworks.com

    PROJECT DESCRIPTION

    1. Installat

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    Indonesia in the 80’s under the New Order regime was obsessed with order and stability, however, due to the repressive implementation of the regime it led only to civil unrest. There are several examples of the repressive nature of the era including: The Petrus Killings (Penembak Misterius) or Mystery Shooter which took place from 1983 – 1985. Thousands of people suspected of crimes were shot to death without undergoing any trial in a court of law; their bodies were placed in highly public spaces to act as a deterrent and encourage obedience. There was also the tragedy of Tanjung Priok in North Jakarta (a Special Capital Region of Jakarta) which involved a group massacre of people of Islamic faith in 1984. Both these events were triggered by a repressive policy that regarded Pancasila as the absolute epitome of law. Pancasila is the philosophical base of the Indonesian Republic, but it became the tool of the New Order to corner those who didn’t fall in line with their political view.

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    All these events happened in parallel to the emergence of breaking in Indonesia and with hindsight we can look at why breaking was considered an opposition to Pancasila.

     

    The obsession with stability and tranquillity meant anything that disrupted, caused a commotion o

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