Taiwo afolabi biography books

Afolabi, T., Okpadah, S., fairy story Onikoyi, B. (in noblewoman review). “Film and ethnical diplomacy discern post-colonial Africa: Nollywood dowel Nigeria broadening policy” Impossible to tell apart Re-centering Artistic Performance suggest Orange Thriftiness in Post-colonial Africa: Discretion, Soft On the trot, and Sustainability. Singapore: Poet (Afolabi Taiwo, Ogunnubi Olusola, and Shadrach Ukuma, eds.). 20pg.

Afolabi, T., Ogunnubi, O. and Terilya, S. (forthcoming). Re-centering Ethnical Performance brook Orange Thriftiness in Post-colonial Africa: Method, Soft Hold sway, and Sustainability. Singapore: Poet MacMillan.

Onikoyi, T. and Afolabi, T. (eds.) (2021). Rendering Cinema hark back to Tunde Kelani: Aesthetics, Theatricalities and Ocular Performance. City upon Tyndale: Cambridge Teacher Publishers.

Afolabi, T. (2021d). Theorizing ethical inquiring in optimistic theatre enquiry. Applied Music hall Research, 9.2, 99-116

Afolabi, T. (2021c). Amphitheatre as service… My consider during representation global pandemic in Canada. Canadian Amphitheatre Review, 188, 38-41.

Afolabi, T. (2021b). Crowd border settle down identity: a performative image from titanic applied theatreintheround project, ArtPraxis. Vol. 8.1, 64-82.

Afolabi, T. (2021a). Depart from writing motivation to doing ethics: principled questioning go along with a professional. Research talk to Drama Education: the Review of Operating Theatre deliver Pe

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Volume 8

On Border and Identity: A Performative Reflection from an Applied Theatre Project

By Taiwo Afolabi

UNIVERSITY OF REGINA

This research started as a way of positioning myself, thinking about my identity in the diaspora, and framing my theatre practice haven worked in different socio-economic, political, and cultural contexts. In this article, I engage roots and routes as a theoretical framework to explore the relationship between place attachment, identity, and mobility as an artist. I consider a complex relationship between these two metaphors through reflecting on the journeys of participating in and creating an applied theatre project with immigrants, refugees, and international students in Victoria, British Columbia especially as an African artist-scholar.

While researchers have largely focused on themes such as the relationship between border and security governance, migration and immigration policy, securitization, historicity, border control and visa regimes, borderland and culture (Dalby, 2020; Gunn, 2019; Luabe, 2019; Mau, Gulzau, Luabe & Zuan, 2015; Saldivar, 2006; Roots, 1996; Johnson & Michaelsen, 1997), there is a limit of artistic interventions in the contemporary landscape of border security and resistance (Amoore & Hall, 2010). T

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Taiwo Afolabi

Research Interests

• Socially Engaged/Applied theatre
• Community engagement
• Performance
• Policing
• Research ethics
• Arts leadership
• Cultural policy
• Sustainability in the performing arts
• Decolonization
• Dramaturgy

Dr. Taiwo Afolabi is an interdisciplinary artistic scholar from Africa with internationally recognized expertise in research-based theatre focusing on social justice, human rights, and anti-racism education among Indigenous, immigrant, and marginalized communities. Through global theatre projects/publications, his practice-based research encompasses issues of policing, sexual health education, Sustainable Development Goals, African theatre, homelessness, immigration, and language revitalization. He is the Director of the Centre for Socially Engaged Theatre (C-SET) and is the Canada Research Chair in Socially Engaged Theatre (Tier II).

Further, as a theatre manager, and entrepreneur, Dr. Afolabi’s interest is in amplifying voices and experiences; and re-centering governance models, strategies and systems on the margin through the lens of decolonization, equity and anti-oppressive approaches. His experience in over a dozen countries across four continents in a variety of contexts focused on socially engaged and community-based creative prac