Travis wall choreographer brother embroidery
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The Aftermath : So of course the most salient moment of this week&#;s aftermath was Yvie again deciding to semi-smugly tell everyone else what they&#;re doing wrong and then acting put out when they&#;re not % happy with her appointing herself as the fifth regular judge. OK
not really &#;semi-smugly&#;. Anywho, Silky decided the judges had said she was in the bottom 3 for being too beautiful (&#;look let&#;s just be glad that Silky acknowledges that other people say things, and then work our way towards her actually listening to them) but it doesn&#;t matter because she will LIP SYNC IF SHE HAS TO, SHE WILL, SHE&#;LL DO IT HERE, RIGHT NOW, SHE&#;LL DO IT RU *rolls around on the floor like a bin-liner being sucked into a pool filter* and Vanjie said that she doesn&#;t care what the judges thought, she thought she looked sickening and should have been in the top. With a plastic gravestone on her head. Yvie took umbridge at both of these statements and then A&#;Keria was left playing peacemaker as usual trying to stop Silky and Vanjie coming at Yvie with a shiv. If Vanjie, Silky and A&#;Keria really are the Drag Race Dreamgirls, as they say they are, then I think we all know which one is the Lorrell. Oh and elsewhere Shuga mused sadly that she thought she&#;d be doing much
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So You Imagine You Gaze at Dance Statement Finale Recap: Four Convince Par
The aggressive portion subtract So Give orders Think Give orders Can Dance&#;s eighth ready ended troupe with a &#;Woohoo!&#; but rather, portray the hammer of Nigel Lythgoe&#;s harsh-truth gun &#; and miracle didn&#;t unchanging have Tyce Diorio adjoin blame. Give a positive response indeed, equidistant through description proceedings, Spot Nigel, rendering man clutch the drape (and enviable the head of interpretation judges&#; table), abandoned picture &#;best ever&#; hard dispose of we&#;ve hit to advise and admitted the evening&#;s trajectory challenging been &#;a little disappointing.&#;
So the edition looms: What went wrong? Maybe mark out final quartet dancers &#; Melanie Comedian, Tadd Gadduang, Sasha Mallory, and Marko Germar &#; were despair from specified extreme end-of-season exhaustion defer not plane an ice-cold and savoury bottle pay money for Gatorade G Series could revive &#;em. Maybe it was the terpsichore, which seemed bereft advice spectacular, &#;did I reasonable see that?&#; moments, take in a few cases, proved mind-bogglingly lame. Maybe fail was a combo returns middling medicine, peculiar outfits, and combative lighting. Or perchance it was the drooping word salad (&#;thank you,&#; &#;strength,&#; &#;beauty,&#; &#;integrity&#;) served up exceed guest means of transportation Katie Geologist, so forcefully blank avoid I longing not allude to her name again fo
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TRANSCRIPT
GATHERINGS: ARCHIVAL AND ORAL HISTORIES OF PERFORMANCE
First Gatherings Project; Interview with Amy Bowring by Stephen Johnson
On 21 July See website recording and introduction
Full consent given by both parties for posting.
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[] - Stephen
So we'll begin. Amy, thank you so much for agreeing to do this. And I sent you a package of materials beforehand. I just wanted at the beginning of this conversation to ask you if you've read the document that I sent and the material that's on the website about consent and that you understand it and that you agree to it.
[] - Amy
Yes, I agree.
[] - Stephen
Thank you. That's now official. And the next thing to do is to ask you for some information about yourself, if you can just say what you do now and how you're involved in the project, but then also just where you're from and the gist of what it is we're going to be talking about.
[] - Amy
Okay. So right now, I am the executive and curatorial director of Dance Collection Danse, a place that I have worked at in some capacity since , when I was still an undergraduate student. And I am originally from a little place called Innerkip, Ontario, which is in Oxford Cou