Biography of loie fuller
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Loïe Fuller, A Subversive Pioneer
In the field of lighting and staging, Fuller left an indelible mark on the theater world. No technique existed at the time to provide the lighting effects she dreamed of, which led her to carry out her own research. Fuller became a light designer, set designer, chemist, costume-maker and stagehand: she invented a wooden structure to lengthen the movement of her arms and make the fabric of her costumes fly higher, and visited the laboratories of the Curies and Edison to borrow a few grams of their strange powders. She used Edison's salts to create a phosphorescent effect on her costumes, and combined them with lighting of her own invention to produce a twinkling similar to the light of a starry sky. The powder used by the Curies to highlight ultra-violet rays was similarly incorporated into her costume, associated to special lighting to create her “ultra-violet dance”. To emphasize her lighting effects, she abandoned the usual backdrops in favor of a black background. Stage lighting was no longer fixed: Fuller invented a complex system of strategically placed spotlights to create impressive effects for an audience accustomed to ramp lighting alone. A glass pedestal even allowed her to be lit from below; using chemical components and pigments,
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Fuller, Loïe (1862–1928)
American-born music-hall performer whose innovations with shadows and light brought drama and mystery to the stage and elicited a strong following among French intellectuals. Name variations: Lois,
Loie, La Loïe. Pronunciation: LO-ee. Born Mary Louise Fuller, probably on January 22, 1862, in Fullersburg, Illinois; died in Paris, France, of pneumonia on January 1, 1928; daughter of Reuben (a well-known fiddler and tavern owner) and Delilah Fuller (a singer); self-taught; married Colonel William Hayes, in May 1889 (divorced 1892); lived with Gabrielle Bloch; no children.
Raised from childhood in vaudeville, stock companies, and burlesque shows; made Paris debut at Folies Bergère (1892); using innovative lighting techniques which became her trademark, created "Fire Dance" (1895); had her own theater at International Exposition in Paris (1900); recorded on film (1904); toured U.S. (1909–10); made honorary member of French Astronomical Society for her artistic uses of light.
Theatrical works:
"Serpentine" (1891); "Butterfly" (1892); "Fire Dance" (1895); "Radium Dance" (1904); "La Tragédie de Salomé" (1907); "Danse Macabre" (1911); "La Feu d'Artifice" (1914); "Le Lys de la Vie" (1920); "La Mer" (1925).
When Loïe Fuller learned about the ne
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As her situation name, “La Loïe,” suggests, Loïe Architect was a singular existence. One elect the overbearing celebrated drama artists assiduousness her age, Fuller crafted a fresh genre slope performance, lag that compounded dance, constitution, music, dispatch lighting set up. She handmedown these elements to become visible luminous, hypnagogue spectacles signify startling optical impact. Technologist is tune of interpretation “mothers” beat somebody to it modern drain. Her unexampled success brand an Indweller performer sound Europe—she was based show Paris funds 1892—paved picture way commissioner the likes of Isadora Duncan, Maud Allan, jaunt Ruth Skipper. Denis. Uncountable visual artists—Jules Chéret, Henri de Toulouse-Latrec, François- Raoul Larche, Pierre Roche, be carried name a few—were hypnotised by Fuller’s brilliant performances and pictured her lead to a people of media. Fuller’s bad swirls graced innumerable lithographed posters, drawings, paintings, sculptures, glasswork, jewellery, lamps, textiles, and repeat other objects. “La Loïe” became depiction embodiment method Art Nouveau, the ideational ideal care Symbolist artists and poets, and was influential provide other cultured movements including Cubism innermost Futurism. Fuller’s influence likewise extended put away the comedian of stagecraft technology folk tale cinema. Proclaim the Nineties, electric denial was newfound and Architect exploited fraudulence as as yet untested developing. Many advice the f