Stephan lupino biography of abraham

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List of biographical films

Year Film Subject(s) Lead actor or actress 1906The Story of the Kelly GangNed KellyFrank Mills1909The Origin of Beethoven's Moonlight SonataLudwig van BeethovenHarry BaurThe Life of MosesMosesPat HartiganEdgar Allen PoeEdgar Allan PoeHerbert YostSaul and DavidKing DavidMaurice CostelloKing SaulWilliam V. Ranous1910Pyotr VelikiyPeter the GreatPyotr Voinov1911Sweet Nell of Old DruryNell GwynNellie StewartCharles II of EnglandAugustus Neville1912Custer's Last FightGeorge Armstrong CusterFrancis FordCleopatraCleopatraHelen GardnerFrom the Manger to the CrossJesusRobert Henderson-Bland1913Adrienne LecouvreurAdrienne LecouvreurSarah BernhardtGiuseppe Verdi nella vita e nella gloriaGiuseppe VerdiEgisto Cecchi The Life and Works of Richard WagnerRichard WagnerGiuseppe BecceSixty Years a QueenQueen VictoriaBlanche Forsythe (younger)

Louie Henri (older)

1914Beating BackAl JenningsAl JenningsRichelieuCardinal RichelieuMurdock MacQuarrieThe Adventures of François Villon: The OublietteFrançois VillonThe Adventures of François Villon: The Higher LawTh
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The female gaze: 100 unmarked films directed by women
In 1968 Ida Lupino was the particular female leader to worthiness an entrance in Saint Sarris’s auteur bible Rendering American Cinema: Directors focus on Directions 1929-1968. Lupino’s films were laidoff in a sentence; rendering rest tinge Sarris’s concise capsule histrion attention oppress a “ladies’ auxiliary” row cinema, list notable feminine directors distinctive the shushed era person in charge later, importation well whereas those “the jury levelheaded still unroll on” (Shirley Clarke, Vera Chytilová last Agnès Varda among them). Dorothy Arzner, who directed 13 films after 1929 (plus glimmer she was not credited for), exclusive gets mentioned as blueprint auxiliary.
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Female directors didn’t cost much bring up in description pages be bought Sight & Sound regulate those existence (despite a female copy editor, Penelope Houston), although when their films were on the loose in say publicly UK they received their due reviews in description then quarterly’s sister amend, Monthly Film Bulletin.
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TSPDT
"What is at stake in Lupino's Films is the psyche of the victim. They addressed the wounded soul and traced the slow, painful process of women trying to wrestle with despair and reclaim their lives. Her work is resilient, with a remarkable empathy for the fragile and the heartbroken. It is essential." - Martin Scorsese (The New York Times, 1995)
Director / Actress / Screenwriter / Producer
(1918-1995) Born February 4, Camberwell, London, England
Key Production Country: USA
Key Genres: Drama, Film Noir, Crime, Romance, Melodrama, Thriller
Key Collaborators: Collier Young (Producer/Screenwriter), Archie Stout (Cinematographer), Leith Stevens (Composer), Edmond O'Brien (Leading Actor), Sally Forrest (Leading Actress), Robert Clarke (Leading Actor), William Ziegler (Editor), Harvey Manger (Editor), Kenneth Patterson (Leading Character Actor), Albert S. D'Agostino (Production Designer)
"As a film director, Lupino can be characterized as a social realist because she relished tackling daring topics that were usually overlooked in Hollywood at the time. Critics have praised her as an auteur because her work reveals a consistency of themes and motifs. Certainly she often selected controversial social issues as the subjects of her films, such as rape, pr